Narrative

Helmer, a single farmer in his fifties, lives with his aged, bedridden father in the Dutch countryside. His working days are marked by the visits of milk collector Johan, a man of his own age for whom Helmer holds a secret fascination.

Favorably compared to the work of directors as diverse as Judd Apatow and Maren Ade (Everyone Else), The Almost Man walks a fine line between outrageous comedy and relationship drama, and emerges with a portrait of a couple navigating their new adult responsibilities that all will find relatable.

Maya Vitkova’s stunning debut feature Viktoria follows three generations of women in the final years of the People’s Republic of Bulgaria and the early years of the new government, focusing on reluctant mother Boryana and her daughter, Viktoria.

Selected to represent Romania for the 2016 Academy Awards, Radu Jude's third feature has been aptly compared to films as diverse as THE SEARCHERS and PULP FICTION, but the film is ultimately a moving parable about late-feudal Europe developed from historical documents and songs: its power structures and hierarchies, people's ideas of themselves and others, interaction with minorities and the resulting conflicts.

A visionary masterwork from the renowned director of COLOSSAL YOUTH, Pedro Costa’s HORSE MONEY is a mesmerizing odyssey into real, imagined and nightmarish memories. HORSE MONEY is a self-reckoning, a moving memorialization of lives in danger of being forgotten, as well as a piercingly beautiful work of modern cinema.

A visionary masterwork from the renowned director of COLOSSAL YOUTH, Pedro Costa’s HORSE MONEY is a mesmerizing odyssey into real, imagined and nightmarish memories. HORSE MONEY is a self-reckoning, a moving memorialization of lives in danger of being forgotten, as well as a piercingly beautiful work of modern cinema.

An intimate work that takes characters and viewers alike into dizzying realms of possibility, The Princess of France is the most ambitious film yet from one of world cinema's brightest young talents, a cumulatively thrilling experience.

REBELS OF THE NEON GOD is a remarkably impressive first film that hints at the promise of its director: a talent confirmed by Tsai’s equally stunning filmography. Though showing such diverse influences as the French New Wave, Wong Kar-wai’s early films—and, yes, REBEL WITHOUT A CAUSE— Tsai’s film is most remarkable for introducing his startlingly unique vision to world cinema.

With the return of their friend Ahmad from Germany, a group of old college pals (two married couples and a brother and sister, along with three young kids) decide to reunite for a weekend outing by the Caspian Sea. The fun starts right away as they quickly catch on to the plan of lively Sepideh, who has brought along Elly, her daughter’s kindergarten teacher, in hopes of setting her up with recently divorced Ahmad.

With the return of their friend Ahmad from Germany, a group of old college pals (two married couples and a brother and sister, along with three young kids) decide to reunite for a weekend outing by the Caspian Sea. The fun starts right away as they quickly catch on to the plan of lively Sepideh, who has brought along Elly, her daughter’s kindergarten teacher, in hopes of setting her up with recently divorced Ahmad.