New Releases

A selection of the Cannes Film Festival, Hong Sangsoo again works his magic in this tale of an aging actress played by Lee Hyeyoung, meeting with a director in Seoul  to stage a comeback film. With In Front of Your Face, Hong suggests that perhaps the most important things in this life are also the most immediate.

An electrifying pairing of two of the brightest young stars in cinema in director Kazik Radwanski (Tower, How Heavy This Hammer) and rising talent Deragh Campbell (I Used to Be Darker), Anne at 13,000 ft reveals a director and star in perfect synch. From a rip-roaring skydive to moments of quiet reverie, Radwanski captures Anne’s experience with an unflinching directness, a volatile mix of Dardenne brothers immediacy and Cassavetes naturalism.

An electrifying pairing of two of the brightest young stars in cinema in director Kazik Radwanski (Tower, How Heavy This Hammer) and rising talent Deragh Campbell (I Used to Be Darker), Anne at 13,000 ft reveals a director and star in perfect synch. From a rip-roaring skydive to moments of quiet reverie, Radwanski captures Anne’s experience with an unflinching directness, a volatile mix of Dardenne brothers immediacy and Cassavetes naturalism.

To reflect on the 500-year anniversary of the Spanish conquest of Mexico in 2021, director Reyes offers a bold hybrid cinema experience exploring the brutal legacy of colonialism in contemporary Mexico. Provocative, unique, and strikingly cinematic, 499 mixes non-fictional and performative elements with elements of the road movie to show how past traumas continue to affect contemporary reality.

To reflect on the 500-year anniversary of the Spanish conquest of Mexico in 2021, director Reyes offers a bold hybrid cinema experience exploring the brutal legacy of colonialism in contemporary Mexico. Provocative, unique, and strikingly cinematic, 499 mixes non-fictional and performative elements with elements of the road movie to show how past traumas continue to affect contemporary reality.

For his twenty-fifth feature as director and his first as cinematographer, Hong Sangsoo offers a simple tale of young people on the edge of adulthood. Introduction cuts to the essence of who we are as people, like an unexpected hug on a winter's day.

For his twenty-fifth feature as director and his first as cinematographer, Hong Sangsoo offers a simple tale of young people on the edge of adulthood. Introduction cuts to the essence of who we are as people, like an unexpected hug on a winter's day.

The 24th feature from Hong Sangsoo, follows Gamhee (Kim Minhee), who has three separate encounters with friends while her husband is on a business trip. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere.

The 24th feature from Hong Sangsoo, follows Gamhee (Kim Minhee), who has three separate encounters with friends while her husband is on a business trip. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere.

From master director Jia Zhang-Ke (Ash Is Purest White, A Touch of Sin) comes a vital document of Chinese society since 1949. SWIMMING OUT TILL THE SEA TURNS BLUE is an indispensable account of a changing China from one of the country's foremost cinematic storytellers.