Narrative Films

From legendary director Jacques Rivette (Va Savoir, The Duchess of Langeais) comes a tale of lost love, chance encounters and the transformative power of art.

Widely considered one of the most important filmmakers in world cinema, Béla Tarr is the director of such revered films as Satantango and Werckmeister Harmonies. The Turin Horse, which Tarr has said will be his last film, is a breathtaking masterpiece that uses an obsucre Nietzsche anecdote to tell a story about human dignity and survival.

Winner of the Grand Prix at the Cannes Film Festival - and one of the best reviewed films of the year - Once Upon a Time in Anatolia is the new film from the celebrated director of Distant and Climates. Stunningly photographed, the film follows a murder investigation into the Anatolian countryside that rattles the investigators' own beliefs and truths.

A haunting tale of love and betrayal in 1930's France from the director of An Affair of Love (Une Liaison Pornographique) and starring the extraordinary Emmanuelle Devos.

Selected by Time Magazine as one of the ten top films of 2004, Per Fly’s The Inheritance is a powerful and timely drama about a man torn between family and business.

A perversely funny adaptation of Amélie Nothomb’s autobiographical novel, Alain Corneau’s marvelous film, starring the incomparable Sylvie Testud, deftly dissects the universal absurdities of corporate culture.

Filmed along Australia’s breathtakingly beautiful Hawkesbury River, Anna Reeves’ deliciously surprising film is a comedy about love, community and freshly shucked oysters.

This cinema-verite documentary explores the realities of life as a classical musician through the story of Hexagon, a newly-formed chamber ensemble. The documentary chronicles their challenging first year and a half, from the group's seemingly casual first rehearsal to its high-pressure launching into the mainstream of the classical music scene.

One day, on a whim, Marc decides to shave off the mustache he’s worn all of his adult life. He waits patiently for his wife’s reaction, but neither she nor his friends seem to notice. Stranger still, when he finally tells them, they all insist he never had a mustache. Is Marc going mad? Is he the victim of some elaborate conspiracy? Or has something in the world’s order gone terribly awry?