Asian Studies
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MOVING (4k restoration)2024 Cinema Studies Asian Studies Children & Young Adult Family Relations Narrative Films Performing Arts
Since its premiere at Cannes in Un Certain Regard in 1993, Moving has been one Shinji Somai’s most beloved films. In this poignant family drama, Somai transcends the tropes of stories of children dealing with divorce to bring us a film filled with indelible images about an unforgettable teenage girl who encounters the unknown and refuses to succumb to it.
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IN OUR DAY2024 Aging / Gerontology Asian Studies Cinema Studies Cultural Studies Family Relations Films of Hong Sangsoo Narrative Films Performing Arts With his 30th feature film, Hong demonstrates a new level of mastery of his art, using long, deceptively elaborate shots to articulate the simplest of pleasures: an inter-species encounter, the discovery of a new drink, a game of rock paper scissors. Kim and Ki lead an outstanding cast of the most natural of performers. In Our Day is a film to drink of deeply, to share with friends, and afterward, to reflect on what matters most. |
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EAT BITTER2024 African Studies Asian Studies Business Economics Environmental Studies Family Relations Political Science Urban Studies Sociology An eye-opening documentary filmed in the Central African Republic follows a native sand diver and a Chinese national developing the land. As we follow the hardships and struggle, the film raises the question of what are we prepared to sacrifice for a better tomorrow, without a promise that it will ever arrive. |
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TYPHOON CLUB (4k restoration)2023 Asian Studies Cinema Studies Media Studies Narrative Films
Winner of the Grand Prix at the first Tokyo International Film Festival in 1985, Typhoon Club is widely regarded as the seminal film of director Shinji Somai’s career. A work of raw, elemental power, it follows an ensemble of junior high students in a provincial town, beset by a summer-y malaise as a typhoon looms. The 10th best Japanese film of all time, according to Japan’s Kinema Junpo poll.
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P.P. RIDER2023 Cinema Studies Asian Studies Media Studies Narrative Films
From acclaimed Japanese filmmaker Shinji Sômai comes an exuberant farce tinted with deep shades of melancholy and real violence, P.P. Rider is an ode to the dreams of youth against authority. Adapted from a comic strip-like scenario by Leonard and Chieko Schrader, it’s a film of unparalleled freedom, and a testament to Somai’s ability to inject his work with the potent marrow of life.
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HOUSE SPECIAL2023 Asian Studies Cultural Studies Education Gastronomy Immigration Indigenous Studies Family Relations Sociology Women's Studies World History
A five-part docu series that chronicles the Chinese Canadian experience through the lens of small-town Asian food joints and the families that run them. Ride the rails with chef and author, Jackie Kai Ellis, as she explores Canadian Chop Suey cuisine.
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WALK UP2023 Asian Studies Cinema Studies Narrative Films Films of Hong Sangsoo
In his ninth film for Hong Sangsoo, Kwon Haehyo plays Byungsoo, a film director who goes with his daughter to a building owned by an old friend, Hong fills the building spaces with a profusion of everyday details spanning art, love, career, religion, dietary decisions and home renovations.
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THE NOVELIST'S FILM2023 Cinema Studies Asian Studies Narrative Films Films of Hong Sangsoo
Winner of the Grand Jury Prize at the Berlin Film Festival. For his 27th feature, Hong Sangsoo holds a mirror up to his own artistic process and asks what exactly it is we’re looking for from a work of art.
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IN FRONT OF YOUR FACE2023 Cinema Studies Narrative Films Asian Studies Performing Arts Films of Hong Sangsoo
In her first role for Hong, Lee Hyeyoung, a prominent theater and screen actress in South Korea, makes a captivating return to the big screen. With In Front of Your Face, Hong suggests that perhaps the most important things in this life are also the most immediate.
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THE DAY AFTER2018 Asian Studies Cinema Studies Narrative Films Films of Hong Sangsoo
An official selection of the Cannes Film Festival, The Day After begins as a darkly hilarious story of a man embroiled in extramarital entanglements but soon shifts—in a way only Hong can manage—into a heartfelt portrayal of a young woman on a quest for spiritual fulfillment.
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CLAIRE'S CAMERA2017 Asian Studies Cinema Studies Cultural Studies Europe Narrative Films Performing Arts Photography Films of Hong Sangsoo
A refreshingly sunny performance from Isabelle Huppert (The Piano Teacher, Elle) is at the center of this comic charmer from South Korean Master Hong Sangsoo. Intricately plotted with wit and charm to spare, CLAIRE'S CAMERA explores the power of images to transform us.
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THE WOMAN WHO RAN2022 Asian Studies Cinema Studies Narrative Films Women's Studies Films of Hong Sangsoo
THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. Winner of the Silver Bear for Best Director at the Berlin Film Festival.
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A NIGHT OF KNOWING NOTHING2022 Anthropology Asian Studies Cinema Studies Directed by Women Political Science Sociology World History Director Payal Kapadia deftly merges reality with fiction, weaving together archival footage with student protest videos to create a vital tapestry of the personal and the political. With its dreamlike editing rhythms and a revelatory use of sound, A Night of Knowing Nothing is both an essential document of contemporary India and a nostalgic look at youth fighting the injustice of their time. |
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INTRODUCTION2022 Media Studies Asian Studies Cinema Studies Family Relations Narrative Films Films of Hong Sangsoo
Winner for Best Screenplay at Berlin Film Festival. For his twenty-fifth feature as director and his first as cinematographer, Hong Sangsoo offers a simple tale of young people on the edge of adulthood. Introduction cuts to the essence of who we are as people, like an unexpected hug on a winter's day.
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SWIMMING OUT TILL THE SEA TURNS BLUE2021 Asian Studies Cinema Studies Cultural Studies Education Literature Political Science Sociology From master director Jia Zhang-Ke comes a vital document of Chinese society since 1949. Jia interviews three prominent authors—Jia Pingwa, Yu Hua, and Liang Hong. SWIMMING OUT TILL THE SEA TURNS BLUE is an indispensable account of a changing China from one of the countrys foremost cinematic storytellers. |
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YOURSELF AND YOURS2020 Asian Studies Narrative Films Cinema Studies Films of Hong Sangsoo
When painter Youngsoo (Kim Joohyuk) learns that his girlfriend, Minjung (Lee Yooyoung), was recently seen having drinks with another man, he can’t help but question her about it. It doesn’t go well and they part on bad terms. The next day, Youngsoo tries to find her, but can’t. As he wanders and frets, Minjung has a series of encounters with other men. But to them it seems she’s not herself.
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GRASS2019 Asian Studies Cinema Studies Films of Hong Sangsoo In the corner of a small café, Areum sits typing
on her laptop. At the tables around her, other customers enact the various
dramas of their lives. Is she merely writing what she hears? Or is she hearing
what’s been written? |
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HOTEL BY THE RIVER2019 Asian Studies Cinema Studies Films of Hong Sangsoo
An aging poet, Younghwan, summons his two estranged sons to a solitary hotel beside the Han River because he feels his death is near. While waiting for them to arrive, he meets two women out walking in the new-fallen snow and is struck by their angelic beauty.
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SUBURBAN BIRDS (narrative)2019 Asian Studies Cinema Studies Urban Studies
Hao (Mason Lee) is part of a team of young engineers called in to investigate a series of craters that have opened up on the edge of the city. As he and his team survey the subsiding area, another story is taking place in the same suburban landscape. A younger boy, also named Hao, spends long afternoons playing with friends and making mischief until one-by-one, his playmates start to disappear. As these parallel stories unfold, the connections between them proliferate and grow stranger.
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CHINESE PORTRAIT2019 Anthropology Asian Studies Art History Cinema Studies Photography Urban Studies
From acclaimed director Wang Xiaoshuai (Beijing Bicycle; So Long, My Son) comes a personal snapshot of contemporary China in all its diversity. Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaus of people and environments, each one more extraordinary than the last.
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