2020

Khadija (Saadia Bentaďeb) is a fifty-eight-year-old Maghrebi cleaning woman living in Brussels in the wake of the 2016 bombings that shook the city. After work one night, she falls asleep on the last subway train, wakes up at the end of the line and has no choice but to make her way home—all the way across the city—on foot.

When painter Youngsoo (Kim Joohyuk) learns that his girlfriend, Minjung (Lee Yooyoung), was recently seen having drinks with another man, he can’t help but question her about it. It doesn’t go well and they part on bad terms. The next day, Youngsoo tries to find her, but can’t. As he wanders and frets, Minjung has a series of encounters with other men. But to them it seems she’s not herself.

Just before the French Revolution, in a forest outside Berlin, a band of libertines expelled from the court of Louis XVI rendezvous with the legendary German seducer and freethinker, the Duc de Walchen (Helmut Berger), to convince him to join in their mission: the rejection of authority and all moral boundaries. What begins as an evening of strategizing on the proliferation of libertinage, descends into a Sadean night of pansexual one-upmanship.

Filmmaker Maxine Trump turns the camera on herself and her close circle of family and friends as she confronts the idea of not having kids, and explores the cultural pressures and harsh criticism childfree women regularly experience.

Astrid, a forty-something mother of two, struggles to regain her balance in the wake of her husband’s death. Her adolescent son Phillip disappeared for a week and now that he has returned, he faces disciplinary action at school and his toe requires amputation. As new questions confront Astrid from every angle, even simple activities like buying a bicycle or engaging with a work of art, are fraught with unexpected challenges.

Red Chef Revival is a unique and intimate documentary that follows three trailblazing chefs on a cross country journey to redefine and reclaim Indigenous cuisine. Using food as their access point, these chefs discover a new path to reconciliation, while working with ingredients you won't find in any cookbooks, like bison heart, beaver tail, moose nose, seal and cougar. 

The Fourth Kingdom: The Kingdom of Plastics is a compassionate through-the-seasons study of a non-profit recycling and redemption center in New York.

This collection of eight early films by Brazilian artist and filmmaker Ana Vaz proposes a critical reflection on the relationship between colonialism, modernity and the impending ecological disaster. At the core of the collection is a cycle of works that explore the colonial and post-colonial exchange between Europe and the Americas.

Filmmaker Gastón Solnicki creates a beguiling portrait of several young women at the threshold of adulthood, feeling their way through various crises born of the insular comforts of upper-middle-class life. Winner of the FIPRESCI Prize and an official selection of the New York Film Festival.

Re-released for 2020. Ever wonder why Jews and Rastafarians both use the Star of David and make references to Zion? This exuberant documentary explores the surprising connections between reggae culture and Judaism.

New and revised. This documentary examines the current controversy over the issue of slave reparations, addressing the most often voiced objections ("It’s long over," "I had nothing to do with it," "Affirmative Action is enough," etc.) to the claim for financial restitution to the ancestors of slaves for the wealth created by black labor in previous centuries.