Asian Studies


THE DAY AFTER
THE DAY AFTER

2018  Asian Studies  Cinema Studies  Narrative Films 

An official selection of the Cannes Film Festival, The Day After begins as a darkly hilarious story of a man embroiled in extramarital entanglements but soon shifts—in a way only Hong can manage—into a heartfelt portrayal of a young woman on a quest for spiritual fulfillment.

CLAIRE'S CAMERA
CLAIRE'S CAMERA

2017  Asian Studies  Cinema Studies  Cultural Studies  Europe  Narrative Films  Performing Arts  Photography 

 A refreshingly sunny performance from Isabelle Huppert (The Piano Teacher, Elle) is at the center of this comic charmer from South Korean Master Hong Sangsoo. Intricately plotted with wit and charm to spare, CLAIRE'S CAMERA explores the power of images to transform us. 

THE WOMAN WHO RAN
THE WOMAN WHO RAN

2022  Asian Studies  Cinema Studies  Narrative Films  Women's Studies 

THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. Winner of the  Silver Bear for Best Director at the Berlin Film Festival.

A NIGHT OF KNOWING NOTHING
A NIGHT OF KNOWING NOTHING

2022  Anthropology  Asian Studies  Cinema Studies  Directed by Women  Political Science  Sociology  World History 

Director Payal Kapadia deftly merges reality with fiction, weaving together archival footage with student protest videos to create a vital tapestry of the personal and the political. With its dreamlike editing rhythms and a revelatory use of sound, A Night of Knowing Nothing is both an essential document of contemporary India and a nostalgic look at youth fighting the injustice of their time.


INTRODUCTION
INTRODUCTION

2022  Media Studies  Asian Studies  Cinema Studies  Family Relations  Narrative Films 

Winner for Best Screenplay at Berlin Film Festival.  For his twenty-fifth feature as director and his first as cinematographer, Hong Sangsoo offers a simple tale of young people on the edge of adulthood. Introduction cuts to the essence of who we are as people, like an unexpected hug on a winter's day.

SWIMMING OUT TILL THE SEA TURNS BLUE
SWIMMING OUT TILL THE SEA TURNS BLUE

2021  Asian Studies  Cinema Studies  Cultural Studies  Education  Literature  Political Science  Sociology 

From master director Jia Zhang-Ke  comes a vital document of Chinese society since 1949. Jia interviews three prominent authors—Jia Pingwa, Yu Hua, and Liang Hong. SWIMMING OUT TILL THE SEA TURNS BLUE is an indispensable account of a changing China from one of the countrys foremost cinematic storytellers.


YOURSELF AND YOURS
YOURSELF AND YOURS

2020  Asian Studies  Narrative Films  Cinema Studies 

When painter Youngsoo (Kim Joohyuk) learns that his girlfriend, Minjung (Lee Yooyoung), was recently seen having drinks with another man, he can’t help but question her about it. It doesn’t go well and they part on bad terms. The next day, Youngsoo tries to find her, but can’t. As he wanders and frets, Minjung has a series of encounters with other men. But to them it seems she’s not herself.

GRASS
GRASS

2019  Asian Studies  Cinema Studies 

In the corner of a small café, Areum sits typing on her laptop. At the tables around her, other customers enact the various dramas of their lives. Is she merely writing what she hears? Or is she hearing what’s been written? 


HOTEL BY THE RIVER
HOTEL BY THE RIVER

2019  Asian Studies  Cinema Studies 

An aging poet, Younghwan, summons his two estranged sons to a solitary hotel beside the Han River because he feels his death is near. While waiting for them to arrive, he meets two women out walking in the new-fallen snow and is struck by their angelic beauty.


SUBURBAN BIRDS (narrative)
SUBURBAN BIRDS (narrative)

2019  Asian Studies  Cinema Studies  Urban Studies 

Hao (Mason Lee) is part of a team of young engineers called in to investigate a series of craters that have opened up on the edge of the city. As he and his team survey the subsiding area, another story is taking place in the same suburban landscape. A younger boy, also named Hao, spends long afternoons playing with friends and making mischief until one-by-one, his playmates start to disappear. As these parallel stories unfold, the connections between them proliferate and grow stranger. 

CHINESE PORTRAIT
CHINESE PORTRAIT

2019  Anthropology  Asian Studies  Art History  Cinema Studies  Photography  Urban Studies 

From acclaimed director Wang Xiaoshuai (Beijing BicycleSo Long, My Son) comes a personal snapshot of contemporary China in all its diversity. Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaus of people and environments, each one more extraordinary than the last. 

LAILA AT THE BRIDGE
LAILA AT THE BRIDGE

Asian Studies  Cultural Studies  Directed by Women  Health  Middle Eastern Studies  Cinema Studies  Women's Studies  2018  2019 

Laila at the Bridge takes the viewer on a harrowing journey to Kabul’s dark underpass, following a woman who attempts to save as many drug addicts as she can.


I'VE GOT A LITTLE PROBLEM
I'VE GOT A LITTLE PROBLEM

2018  Art History  Cultural Studies  LGBTQ  Asian Studies  Cinema Studies  Short Films  Human Sexuality 

I’ve Got a Little Problem chronicles internationally renowned photographer and poet Ren Hang’s struggle with Chinese censorship, painful public scrutiny, and manic depression, that eventually sent his life spiraling out of control.

ON THE BEACH AT NIGHT ALONE
ON THE BEACH AT NIGHT ALONE

2018  Cinema Studies  Asian Studies  Narrative Films 

From master director Hong Sangsoo comes his most personal film to date, On The Beach at Night Alone.  Starring Kim Minhee (The Handmaiden, Claire's Camera)—in the role that won her the Silver Bear for best actress in Berlin.

WITH THIS RING
WITH THIS RING

Directed by Women  Women's Studies  Asian-American Studies  Family Relations  2017  Asian Studies 

Filmed for six years, With this Ring follows India’s famed female boxing team and provides an inside look at the challenges they face – gender discrimination, pressure to conform to traditional gender roles, and lack of recognition by the public despite dominating the international boxing scene

THE WRONG LIGHT
THE WRONG LIGHT

2017  Asian Studies  Children & Young Adult  Criminal & Law  Family Relations  Southeast Asian Studies  Cinema Studies  Directed by Women 

A charismatic activist leads a globally-regarded NGO that provides shelter and education for girls rescued from brothels in Northern Thailand. But as the filmmakers meet the girls and their families, discrepancies begin to emerge and the story they're telling takes an unexpected turn.

STRAY DOGS
STRAY DOGS

Cinema Studies  Asian Studies  2015  Narrative Films 

A haunting masterpiece and possibly the last film from the great Tsai Ming-liang, Stray Dogs is a visually powerful work about a single father and his two young children trying to survive on the streets of Taipei. Winner of the Grand Jury Prize at the Venice Film Festival.

THE ANABASIS OF MAY AND FUSAKO SHIGENOBU, MASAO ADACHI AND 27 YEARS WITHOUT IMAGES
THE ANABASIS OF MAY AND FUSAKO SHIGENOBU, MASAO ADACHI AND 27 YEARS WITHOUT IMAGES

2014  Terrorism Studies  Middle Eastern Studies  Media Studies  Criminal & Law  Cinema Studies  Asian Studies  Flaherty Collection 

Mixing personal stories, political history, revolutionary propaganda and film theory, artist Eric Baudelaire illuminates the idealism and radicalism of left-wing extremist movements of the 1970s by interweaving the stories of two of its protagonists: May Shigenobu, daughter of the founder of the Japanese Red Army, and Masao Adachi, the revered Japanese director who gave up cinema to take up arms.

AS LONG AS THERE'S BREATH
AS LONG AS THERE'S BREATH

Sensory Ethnography Lab  Women's Studies  Labor Studies  Asian Studies  2014  Directed by Women 

Following the acclaimed Kale and Kale and Monsoon- Reflections, As Long as There's Breath is Stephanie Spray's third film documenting the lives of the Gayeks family in Nepal. Building on a deep bond of trust (Spray was eventually adopted by the family), she captures a multi-generational household struggling for cohesion after the departure of a beloved son.

UNTITLED
UNTITLED

Sensory Ethnography Lab  2014  Asian Studies  Anthropology  Directed by Women 

A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer.

1 2 3 4 5 6