Asian Studies

Where The Thin Red Line leaves off, The Tears of Peleliu picks up some fifty years later, as it follows five American WWII veterans as they meet their former Japanese adversaries on the bloodiest battlefield in the history of warfare. The residents of Peleliu, a tiny island in the South Pacific, regard with some trepidation the return of the men who destroyed their island.

Chronicles the experience of 46-year-old Suzanne, an unmarried American woman who, desiring to create a single-parent family of her own, adopts a baby abandoned on the streets of China in the wake of that country's notorious population laws. Her emotional ordeal illuminates both the joys and problems involved in adopting foreign children and in being a single parent.

Documents a sea adventure designed to test the theory that the ancient Chinese could have sailed from Southeast Asia and arrived in Mexico or South America, predating voyages of Western mariners.

This docudrama examines the Filipino experience at the 1904 St. Louis World's Fair, focusing on the filmmaker's grandfather, an Igorot warrior, one of the 1,100 tribal natives displayed as anthropological "specimens" in the notorious Philippine Village exhibit.

Shows how pesticides and other man-made chemicals which have been found harmful and therefore banned from use in developed countries are still being sold and used in Third World nations.

Examines environmental problems in Nepal, one of the poorest countries in the world, where population growth, inequality of resources, and increasing tourism have combined to threaten environmental disaster for the Himalayan kingdom once touted as "Shangri- La."

Documents the history of a remarkable art exhibit which showcases the work of both American and Vietnamese veterans of the Indochina War.

Examines the Communist Party's rigorously enforced art policies during China's Cultural Revolution from 1966-1976, when pictorial artists were given strict aesthetic guidelines for the production of works designed to promote the ideology and imagery of Mao Tse- tung's illusory new society.

This cinema-verite documentary explores the realities of life as a classical musician through the story of Hexagon, a newly-formed chamber ensemble. The documentary chronicles their challenging first year and a half, from the group's seemingly casual first rehearsal to its high-pressure launching into the mainstream of the classical music scene.

Chronicles the 1987 U.S. tour by the National Symphony Orchestra of the People's Republic of China, including interviews with conductor Zuohuang Chen, a survivor of the Cultural Revolution who studied music in the U.S., Chen's mentor, Seiji Ozawa, director of the Boston Symphony, plus stirring performances of both Western and Chinese music.