The Flaherty brings together people from diverse backgrounds to provoke dialogue and debate by showcasing innovative global media during an intensive weeklong seminar and ancillary year-round events, thereby advancing and enriching moving-image culture. The annual Robert Flaherty Film Seminar, founded by Frances Flaherty in 1955, seeks to nurture exploration, introspection, and dialogue about the art and craft of the moving image and its potential to illuminate the human spirit. www.flahertyseminar.org
|
ALSO KNOWN AS JIHADI2019 Cinema Studies Cultural Studies Flaherty Collection Middle Eastern Studies World History Urban Studies Terrorism Studies
Pulling from real events and court documents in the wake of the 2015 Paris terror attacks, Also Known As Jihadi follows a young man's journey to radicalism not through his actions, but through his surroundings.
|
|
THE ANABASIS OF MAY AND FUSAKO SHIGENOBU, MASAO ADACHI AND 27 YEARS WITHOUT IMAGES2014 Terrorism Studies Middle Eastern Studies Media Studies Criminal & Law Cinema Studies Asian Studies Flaherty Collection
Mixing personal stories, political history, revolutionary propaganda and film theory, artist Eric Baudelaire illuminates the idealism and radicalism of left-wing extremist movements of the 1970s by interweaving the stories of two of its protagonists: May Shigenobu, daughter of the founder of the Japanese Red Army, and Masao Adachi, the revered Japanese director who gave up cinema to take up arms.
|
|
THE MAKES2014 Cinema Studies Flaherty Collection
In 1967, following the success of Blow Up, Michelangelo Antonioni planned to make his next film in Japan. The project was cancelled (Antonioni shot Zabriskie Point instead), but he did publish his ideas for the film.” In this brilliant documentary, filmmaker Eric Baudelaire remakes Antonioni’s lost film through photographs, real life anecdotes, correspondences and critical discourse.
|