Narrative Films

THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. Winner of the  Silver Bear for Best Director at the Berlin Film Festival.

Winner for Best Screenplay at Berlin Film Festival.  For his twenty-fifth feature as director and his first as cinematographer, Hong Sangsoo offers a simple tale of young people on the edge of adulthood. Introduction cuts to the essence of who we are as people, like an unexpected hug on a winter's day.

Anne hasn’t been the same since the jump. While skydiving for her best friend Sara’s bachelorette party, the 27-year-old felt focused, free, above it all. Back on the ground, the pressures of her daily life threaten to overwhelm her. An electrifying pairing of two of the brightest young stars in cinema in director Kazik Radwanski and rising talent Deragh Campbell, the film reveals a director and star in perfect synch.

A New York Times Critic's Pick! The latest in Matías Piñeiro's series of films inspired by the women of Shakespeare's comedies is his most structurally daring and visually stunning work to date. 

Khadija (Saadia Bentaïeb) is a fifty-eight-year-old Maghrebi cleaning woman living in Brussels in the wake of the 2016 bombings that shook the city. After work one night, she falls asleep on the last subway train, wakes up at the end of the line and has no choice but to make her way home—all the way across the city—on foot.

When painter Youngsoo (Kim Joohyuk) learns that his girlfriend, Minjung (Lee Yooyoung), was recently seen having drinks with another man, he can’t help but question her about it. It doesn’t go well and they part on bad terms. The next day, Youngsoo tries to find her, but can’t. As he wanders and frets, Minjung has a series of encounters with other men. But to them it seems she’s not herself.

Versailles, August 1715. Back from hunting, Louis XIV - magisterially interpreted by New Wave icon and honorary Palme d’Or recipient (Jean-Pierre Léaud) - feels pain in his leg. A serious fever erupts, which marks the beginning of the agony of the greatest King of France.

Astrid, a forty-something mother of two, struggles to regain her balance in the wake of her husband’s death. Her adolescent son Phillip disappeared for a week and now that he has returned, he faces disciplinary action at school and his toe requires amputation. As new questions confront Astrid from every angle, even simple activities like buying a bicycle or engaging with a work of art, are fraught with unexpected challenges.

When Ocho (Juan Barberini), a 30-something Argentine poet on vacation in Barcelona, spots Javi (Ramón Pujol), a Spaniard from Berlin, from the balcony of his Airbnb, the attraction is subtle but persistent. After a missed connection on the beach, a third chance encounter escalates to a seemingly random hookup. But are these two merely beautiful strangers in a foreign city or are they part of each other’s histories—and maybe even their destinies?

Director Nuri Bilge Ceylan's The Wild Pear Tree follows in the great tradition of family dramas like Death of a Salesman and Long Day’s Journey Into Night, and weaves an evocative tale of creative struggle and familial responsibility with inspired performances, sumptuous imagery and surprising bursts of humor. 

A fiction feature about a group of undocumented immigrants from Puebla, Mexico who live in Sunset Park, Brooklyn. En el Séptimo Día (On the Seventh Day) is both timely for our current immigration debate and an exciting enjoyable film to watch.

Tensions rise as a group of German construction workers start a tough job at a remote site in the Bulgarian countryside. Directed by Valeska Grisebach and produced by Maren Ade, the film played at NYFF, TIFF and Cannes.

On a seemingly ordinary night in Paris, Pierre takes one last look his lover Paul’s sleeping body, then steals away into the early morning light. Where he’s headed, neither of them know. Pierre’s only guide is his Grindr app, which leads him on a series of encounters with an indelible cast of characters across the French countryside. Paul sets out after him, using his own phone to track Pierre’s movements in a strange and wonderful game of Grindr cat-and-mouse. 

From master director Hong Sangsoo comes his most personal film to date, On The Beach at Night Alone.  Starring Kim Minhee (The Handmaiden, Claire's Camera)—in the role that won her the Silver Bear for best actress in Berlin.

An immersive and transporting experience directed by Taiwanese auteur Tsai Ming-liang (Stray Dogs), Journey to the West focuses on the figure of the Walker, a character loosely based on the life of Xuanzang, a seventh-century Buddhist monk who painstakingly traversed Asia for seventeen years in search of "the void."

Victor returns to Buenos Aires after his father’s death and a stay in Mexico to prepare a radio production of "Love’s Labour’s Lost." Reuniting with his repertory, he finds himself sorting out complicated entanglements with girlfriend Paula, sometime lover Ana, and departed actress Natalia, as well as his muddled relations with the constellation of friends involved with the project.

A visionary masterwork from the renowned director of Colossal Youth, Pedro Costa’s Horse Money is a mesmerizing odyssey into the real, imagined and nightmarish memories of the elderly Ventura, a Cape Verdean immigrant living in Lisbon.

With the return of their friend Ahmad from Germany, a group of old college pals (two married couples and a brother and sister, along with three young kids) decide to reunite for a weekend outing by the Caspian Sea. The fun starts right away as they quickly catch on to the plan of lively Sepideh, who has brought along Elly, her daughter’s kindergarten teacher, in hopes of setting her up with recently divorced Ahmad.

Jauja is the story of a man’s desperate search for his daughter, a solitary quest that takes him to a place beyond time, where the past vanishes and the future has no meaning.

In this chilling story about world politics, the great Toni Servillo (THE GREAT BEAUTY) defies expectations playing two roles, imbuing each character with brilliant nuance. In the first, he personifies political failure in the role of the disgraced ideologue and party leader, Enrico Oliveri. In the second, he embodies the shrewd genius of a madman as Oliveri’s unhinged twin brother who seizes control of the nation amidst the void of his brother’s disappearance.