Narrative Films

As her roommate Lisa prepares to move out of their apartment, Mara contemplates the end of an era.  In The Girl and the Spider, the Zürcher brothers compose a poetic panopticon of forms of human relationships that is at once a study of everyday life, a fairytale and a psychological portrait of a brittle world. 

An official selection of the Cannes Film Festival, The Day After begins as a darkly hilarious story of a man embroiled in extramarital entanglements but soon shifts—in a way only Hong can manage—into a heartfelt portrayal of a young woman on a quest for spiritual fulfillment.

 A refreshingly sunny performance from Isabelle Huppert (The Piano Teacher, Elle) is at the center of this comic charmer from South Korean Master Hong Sangsoo. Intricately plotted with wit and charm to spare, CLAIRE'S CAMERA explores the power of images to transform us. 

THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. Winner of the  Silver Bear for Best Director at the Berlin Film Festival.

Winner for Best Screenplay at Berlin Film Festival.  For his twenty-fifth feature as director and his first as cinematographer, Hong Sangsoo offers a simple tale of young people on the edge of adulthood. Introduction cuts to the essence of who we are as people, like an unexpected hug on a winter's day.

Anne hasn’t been the same since the jump. While skydiving for her best friend Sara’s bachelorette party, the 27-year-old felt focused, free, above it all. Back on the ground, the pressures of her daily life threaten to overwhelm her. An electrifying pairing of two of the brightest young stars in cinema in director Kazik Radwanski and rising talent Deragh Campbell, the film reveals a director and star in perfect synch.

A New York Times Critic's Pick! The latest in Matías Piñeiro's series of films inspired by the women of Shakespeare's comedies is his most structurally daring and visually stunning work to date. 

Khadija (Saadia Bentaïeb) is a fifty-eight-year-old Maghrebi cleaning woman living in Brussels in the wake of the 2016 bombings that shook the city. After work one night, she falls asleep on the last subway train, wakes up at the end of the line and has no choice but to make her way home—all the way across the city—on foot.

When painter Youngsoo (Kim Joohyuk) learns that his girlfriend, Minjung (Lee Yooyoung), was recently seen having drinks with another man, he can’t help but question her about it. It doesn’t go well and they part on bad terms. The next day, Youngsoo tries to find her, but can’t. As he wanders and frets, Minjung has a series of encounters with other men. But to them it seems she’s not herself.

Versailles, August 1715. Back from hunting, Louis XIV - magisterially interpreted by New Wave icon and honorary Palme d’Or recipient (Jean-Pierre Léaud) - feels pain in his leg. A serious fever erupts, which marks the beginning of the agony of the greatest King of France.

Astrid, a forty-something mother of two, struggles to regain her balance in the wake of her husband’s death. Her adolescent son Phillip disappeared for a week and now that he has returned, he faces disciplinary action at school and his toe requires amputation. As new questions confront Astrid from every angle, even simple activities like buying a bicycle or engaging with a work of art, are fraught with unexpected challenges.

When Ocho (Juan Barberini), a 30-something Argentine poet on vacation in Barcelona, spots Javi (Ramón Pujol), a Spaniard from Berlin, from the balcony of his Airbnb, the attraction is subtle but persistent. After a missed connection on the beach, a third chance encounter escalates to a seemingly random hookup. But are these two merely beautiful strangers in a foreign city or are they part of each other’s histories—and maybe even their destinies?