Anthropology

In a remote Haitian village there is a dance with slaves and masters: the whipping zombie ritual. To trance-inducing music played by rara bands, men whip and fight until they die and are reborn in the infinite cycle.

A genre-bending portrait of globalization, we follow a Mexican Zoque shaman and his encounters with outside forces—from capitalism, to the culture of cinema, and the directors themselves.

El Mar La Mar is a lyrical and highly topical cinematographic exploration of the Sonoran Desert, and the harrowing stories of the undocumented immigrants that risk crossing it to make it to America.

Forcefully removed from their ancestral home by the Ugandan government to protect the endangered gorilla population, the indigenous Batwa people start a music club in hopes to preserve their culture through song and story.

This simple vérité film takes viewers on a journey to the backwoods of Southern Georgia. The kids are never far from home and live, like their grandfathers before them, out in the sticks with traditions routed in nature the forefront of their existences.

Meet Lee and Opal, an elderly couple living in the Appalachian Mountains. Recorded over three years, Linefork is an observational film about marriage, community, resilience, and the raw yet delicate music of an unheralded banjo legend, linked to the past yet immediately present.

A documentary that uses the rat to explore the complicated history of Baltimore and how racial segregation, redlining, and environmental racism built the American city we see today.

An immersive, visually stunning portrait of a childhood on the margins of society by Emmy-nominated director Aaron Schock, La Laguna documents the remarkable journey undertaken by a Mayan adolescent as he tries to navigates the changing world around him in the endangered rainforests of southern Mexico.

A rare and thorough look at the earth’s largest salt flat, Bolivia’s Salar de Uyuni, Salero is a poetic journey through the eyes of one of the last remaining salt gatherers. This secluded region is thrust into the future when Bolivia embarks on a plan to extract a precious mineral from the Salar and to build an infrastructure that will connect it to the modern world.

Following his harrowing documentary, It's Always Late for Freedom, director Mehrdad Oskouei continues his exploration of a male juvenile detention facility near Tehran. Last Days of Winter follows these young men in the days leading up to the Iranian New Year, as they take stock of their lives.

Acclaimed filmmaker Mehrdad Oskouei provides a rare glimpse into an all-male juvenile detention facility in Iran. It's Always Late for Freedom is the first film of Oskouei's trilogy documenting troubled youth in Iran, preceding The Last Days of Winter (2011) and Starless Dreams (2016).

A kaleidoscopic study of the recent oil boom in North Dakota, Deep Time is an award winning documentary that focuses on the impact the fossil fuel business has on the environment and on how it affects local landowners, state officials and the Indigenous Mandan, Hidatsa and Arikara Nation. A complex take on a timely issue by the director of Crude Independence.

2014 César winner for Best Documentary, On the Way to School interweaves the stories of four children from around the world whose desire to learn and better their lives through education forces them to contend with arduous, often perilous journeys every day on their way to the classroom.

A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer.

In exploring the lives of two wandering Nepali musicians, an uncle and nephew, Kāle and Kāle (pronounced kah-lay) exposes the rootless occupation of the Gaine caste and communicates both its joys and pitfalls – domestic, economic and spiritual – in their daily lives.

Drawing its title from a poem by the renowned Nepali poet Lekhnath Paudyal, which depicts the monsoon season as sublime and blissful, “joyous from start to finish,” filmmaker Stephanie Spray captures the melancholy and grit of two strong-willed female field hands (passengers in Spray and Velez’ Manakamana) as they carry out their arduous routines; a deeply felt reflection on labor, gender, and fleeting pleasures in rural Nepal.

A short documentary that captures the longest total solar eclipse of the 21st century, The Yellow Bank takes you on a contemplative boat ride across the Huangpu River in Shanghai, China. The film uses the eclipse as a catalyst to explore the way weather, light, and sound affect the urban architectural environment during this extremely rare phenomenon.

In northeastern China, the Songhua River has for generations served as a vital center – for leisure, commerce, and most importantly, drinking water – for the people of Harbin. Filmed only one year after a major chemical spill in its waters, Songhua depicts the enduring and complex relationship between the city’s residents and their "mother river," and considers the environmental implications of the waterway’s condition.

Filmed in an unofficial Palestinian Bedouin camp that was established in 1948 on a stretch of beach in South Lebanon, Terrace of the Sea uses a collection of family photographs taken over three generations as a prism through which to reflect on memory, loss and history.

"The Arab governments pushed us out of our homes… I was twelve years old… I’ve been here for 60 years." A beautiful, poignant, documentary, Still Life examines the effect a collection of personal photos showing life in Palestine before the 1948 displacement have on an elderly Palestinian fisherman living in exile in Lebanon.