Cinema Studies

An aging poet, Younghwan, summons his two estranged sons to a solitary hotel beside the Han River because he feels his death is near. While waiting for them to arrive, he meets two women out walking in the new-fallen snow and is struck by their angelic beauty.

The Fourth Kingdom: The Kingdom of Plastics is a compassionate through-the-seasons study of a non-profit recycling and redemption center in New York.

When Ocho (Juan Barberini), a 30-something Argentine poet on vacation in Barcelona, spots Javi (Ramón Pujol), a Spaniard from Berlin, from the balcony of his Airbnb, the attraction is subtle but persistent. After a missed connection on the beach, a third chance encounter escalates to a seemingly random hookup. But are these two merely beautiful strangers in a foreign city or are they part of each other’s histories—and maybe even their destinies?

Feminist filmmaker Victoria Schultz captures the memory of her own past, trying to become a writer while becoming entangled in erotic and frightening encounters with an older man. A #MeToo film that stretches back to one woman's memory growing up in the 1950s.

Penny Slinger: Out of the Shadows is the untold story of the British artist Penny Slinger and the events that led to the creation of her masterpiece, the 1977 photo-romance, An Exorcism. 

An Irish filmmaker grapples with the legacy of his estranged father, the late American documentarian Arthur MacCaig, through MacCaig's decades-spanning archive of the conflict in Northern Ireland.

The Call is an inside look at the turbulent jury selection process in Italy. In Italy, citizens can be summoned at a day’s notice for potential jury duty. 60 common citizens are randomly selected by a computer and notified by the police in person to appear in court—by the end of the day, 6 people are selected to be jurors.

Hao (Mason Lee) is part of a team of young engineers called in to investigate a series of craters that have opened up on the edge of the city. As he and his team survey the subsiding area, another story is taking place in the same suburban landscape. A younger boy, also named Hao, spends long afternoons playing with friends and making mischief until one-by-one, his playmates start to disappear. As these parallel stories unfold, the connections between them proliferate and grow stranger. 

From acclaimed director Wang Xiaoshuai (Beijing Bicycle; So Long, My Son) comes a personal snapshot of contemporary China in all its diversity. Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaus of people and environments, each one more extraordinary than the last.