Cinema Studies
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THE ANABASIS OF MAY AND FUSAKO SHIGENOBU, MASAO ADACHI AND 27 YEARS WITHOUT IMAGES2014 Terrorism Studies Middle Eastern Studies Media Studies Criminal & Law Cinema Studies Asian Studies Flaherty Collection
Mixing personal stories, political history, revolutionary propaganda and film theory, artist Eric Baudelaire illuminates the idealism and radicalism of left-wing extremist movements of the 1970s by interweaving the stories of two of its protagonists: May Shigenobu, daughter of the founder of the Japanese Red Army, and Masao Adachi, the revered Japanese director who gave up cinema to take up arms.
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THE MAKES2014 Cinema Studies Flaherty Collection
In 1967, following the success of Blow Up, Michelangelo Antonioni planned to make his next film in Japan. The project was cancelled (Antonioni shot Zabriskie Point instead), but he did publish his ideas for the film.” In this brilliant documentary, filmmaker Eric Baudelaire remakes Antonioni’s lost film through photographs, real life anecdotes, correspondences and critical discourse.
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WHAT NOW? REMIND MELGBTQ Cinema Studies AIDS 2014
Joaquim Pinto has been an instrumental figure in Portuguese cinema for over 30 years, as a director of his own films, or producer and sound designer for other renowned filmmakers. In What Now? Remind Me Pinto, who has been living with HIV, looks back at his life in cinema, at his friendships and loves, and at the mysteries of art and nature.
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THE ART OF OBSERVING LIFE: conversations with documentary filmmakersCinema Studies 2014 Directed by Women
In the wonderful Art of Observing Life, renowned documentarian Marina Goldovskaya delivers a master class in cinema verité and an appreciation of the filmmakers who transformed the Documentary. Composed of intimate conversations with Robert Drew and Richard Leacock (Primary), Allan King (A Married Couple), Albert Maysles (Grey Gardens), Chris Hegedus and D.A. Pennebaker (The War Room), Lionel Rogosin (On The Bowery) & others.
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MANAKAMANAAsian Studies Cinema Studies Anthropology Cultural Studies 2014 Sensory Ethnography Lab Directed by Women
Produced by the directors of Sweetgrass and Leviathan, Manakamana is an exhilarating, one-of-a-kind documentary experience. Filmed entirely inside the narrow confines of a cable car, high above a jungle in Nepal, that transports villagers to an ancient mountaintop temple, it is an acute ethnographic investigation into culture, religion, technology and modernity.
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CELLULOID MANArt History Cinema Studies Asian Studies 2014
An enthralling journey through the history of Indian cinema, Celluloid Man is a portrait of P.K Nair, the legendary founder-director of the National Film Archive of India. Featuring extensive interviews and film clips, this is a gorgeous cinematic tribute to 'India's Henry Langlois' and to the importance of preservation.
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FINDING HILLYWOODAfrican Studies Cinema Studies Peace & Conflict 2014 Directed by Women
A stirring documentary about the very beginning of Rwanda's film industry, Finding Hillywood looks at the people - the filmmakers, festival organizers, and audience - that are part of this blossoming film community and shows how it has become a beacon of hope and healing for a country still grappling with its past.
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YUMENAsian Studies Anthropology Performing Arts Cinema Studies 2014 Sensory Ethnography Lab
A collaboration between two Chinese artists, Xu Ruotao and Huang Xiang, and acclaimed American filmmaker J.P. Sniadecki, Yumen is a documentary-fiction hybrid that tells the story of a ghost town, a once-thriving oil-rich community in China's western Gansu province, through a series of wandering characters and inventive vignettes. Produced with the support of SEL
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TARR BELA: I USED TO BE A FILMMAKER
An illuminating and extremely rare documentary profile of one of the great filmmakers of our time, Bela Tarr. Filmed during the production of The Turin Horse, his final film, Tarr Bela: I Used To Be A Filmmaker features clips, behind-the-scenes footage and interviews with longtime collaborators such as Mihaly Vig, Erika Bok and Tarr's wife and co-director Agnes Hranitzky.
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COUSIN JULESCinema Studies Anthropology Europe 2014
A lost masterpiece, now exquisitely restored, Dominique Benicheti's Cousin Jules is a beautiful, immersive documentary portrait of a farmer living with his wife in the French countryside. One of the earliest documentaries to be shot in CinemaScope with stereo sound, it is a record of a time and a way of life that has long ago vanished.
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VIOLA (narrative)Narrative Films 2014 Spanish Language Cinema Studies
A dazzling and delightful mystery about love and its follies from filmmaker Matías Piñeiro - named one of "20 Directors to Watch" by The New York Times - VIOLA follows a young woman who joins a small Shakespeare theater company in Buenos Aires and becomes entangled in a seductive roundelay of romantic dalliances, intrigue and revelation.
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PEOPLE'S PARKAnthropology Asian Studies Cinema Studies Cultural Studies 2014 Sensory Ethnography Lab Directed by Women
Produced at Harvard's groundbreaking Sensory Ethnography Lab (Sweetgrass, Leviathan, the upcoming Manakamana), People's Park is an exhilarating single shot documentary that immerses viewers in an unbroken journey through an urban park in Chengdu, Sichuan Province, offering a fresh gaze on public interaction, leisure and self-expression in China.
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LEVIATHANAnthropology Cinema Studies Environmental Studies Labor Studies 2013 Sensory Ethnography Lab Directed by Women
One of the most critically-acclaimed documentaries in recent years, Leviathan is a groundbreaking, immersive portrait of the contemporary commercial fishing industry. Directed by the award-winning filmmakers of Sweetgrass and Foreign Parts, Leviathan is a purely visceral, cinematic experience.
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NEIGHBORING SOUNDS (narrative)Narrative Films Cinema Studies 2012
A thrilling debut by a major new voice in world cinema, Kleber Mendonça Filho's Neighboring Sounds is a film about the long-suppressed history of class and racial oppression that continues to haunt contemporary Brazilian society.
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THE DAY HE ARRIVESCinema Studies Asian Studies Narrative Films 2012 Films of Hong Sangsoo
A heartbreaking and hilarious film of repeating patterns and circumstance, The Day He Arrives, from the celebrated Korean auteur Hong Sangsoo, is a meditation on relationships, filmmaking, and the unknowable forces that govern our lives. An official selection of the Cannes Film Festival.
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PATIENCE (AFTER SEBALD)Literature Cinema Studies Europe World History 2012
A richly textured essay film on landscape, art, history, life and loss, Patience (After Sebald) offers a unique exploration of the work and influence of internationally acclaimed writer W.G. Sebald (1944-2001), author of "The Emigrants," "Austerlitz" and "The Rings of Saturn." Featuring contributions from major writers, artists and thinkers, this is the first film on this important writer.
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THE TURIN HORSE (narrative)Narrative Films Cinema Studies 2012
Widely considered one of the most important filmmakers in world cinema, Béla Tarr is the director of such revered films as Satantango and Werckmeister Harmonies. The Turin Horse, which Tarr has said will be his last film, is a breathtaking masterpiece that uses an obsucre Nietzsche anecdote to tell a story about human dignity and survival.
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ONCE UPON A TIME IN ANATOLIA (narrative)Narrative Films Cinema Studies 2012
Winner of the Grand Prix at the Cannes Film Festival - and one of the best reviewed films of the year - Once Upon a Time in Anatolia is the new film from the celebrated director of Distant and Climates. Stunningly photographed, the film follows a murder investigation into the Anatolian countryside that rattles the investigators' own
beliefs and truths.
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BROOKLYN BOHEMEAfrican-American Studies Performing Arts Cinema Studies Urban Studies New York City 2012 Directed by Women
In this inspiring documentary, filmmaker Nelson George explores a singular neighborhood in Brooklyn that gave rise to an African-American arts movement in the late 20th century as vibrant as the Harlem Renaissance. Through interviews with Spike Lee, Chris Rock, Lisa Jones Chapman, Branford Marsalis, Lorna Simpson, and many others, Brooklyn Boheme celebrates the rise of a new kind of African-American artist.
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NE CHANGE RIEN (CHANGE NOTHING)Music Cinema Studies Performing Arts 2011
A luminous exploration of the creative process from one of the world's most important filmmakers, Pedro Costa's Ne Change Rien is a spare, hypnotic portrait of French chanteuse Jeanne Balibar. Photographed in shimmering black-and-white and featuring a soundtrack of haunting jazz-inflected pop songs.
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