Anthropology

Over a period of 35 years between 1984 and 2019, filmmaker Lynne Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings.

The Two Sights (An Dà Shealladh) explores the disappearing tradition of second sight in the Outer Hebrides of Scotland. As we listen to locals' accounts of haunting experiences—phantom horses, ghost voices and other supernatural phenomena—Bonnetta connects their testimonies with striking 16mm images and a carefully-curated sonic montage of the physical and aural environment of these enchanted islands.

A cinematic meditation of the dawn of May 3, 2020–International Dawn Chorus Day–as observed from around the world during the Covid-19 lockdown.

This collection of eight early films by Brazilian artist and filmmaker Ana Vaz proposes a critical reflection on the relationship between colonialism, modernity and the impending ecological disaster. At the core of the collection is a cycle of works that explore the colonial and post-colonial exchange between Europe and the Americas.

From acclaimed director Wang Xiaoshuai (Beijing Bicycle; So Long, My Son) comes a personal snapshot of contemporary China in all its diversity. Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaus of people and environments, each one more extraordinary than the last. 

HÍBRIDOS, THE SPIRITS OF BRAZIL is an ethnomusicological journey into the sacred culture of Brazil, from Roman Catholic to Ubanda and candomblé--mixures of African traditions with Catholicism.

From the Sensory Ethnography Lab at Harvard University comes a postindustrial fable told in iron, rocks, and wood.  A unique look at Detroit artist Olayami Dabls’ installation “Iron Teaching Rocks How to Rust”

The Detroit-based performance ensemble, The Hinterlands, practice a form of ecstatic training which they see as a provocation towards the unknown. The “hinterlands” evokes an unknown space both physical and imaginary whose mystery is its very source of generation and from which true creativity emerges. Their practice is one of ecstatic play, of finding the edge of one’s balance, and the limits of one’s body.

In a remote Haitian village there is a dance with slaves and masters: the whipping zombie ritual. To trance-inducing music played by rara bands, men whip and fight until they die and are reborn in the infinite cycle.

A genre-bending portrait of globalization, we follow a Mexican Zoque shaman and his encounters with outside forces—from capitalism, to the culture of cinema, and the directors themselves.

El Mar La Mar is a lyrical and highly topical cinematographic exploration of the Sonoran Desert, and the harrowing stories of the undocumented immigrants that risk crossing it to make it to America.

Forcefully removed from their ancestral home by the Ugandan government to protect the endangered gorilla population, the indigenous Batwa people start a music club in hopes to preserve their culture through song and story.

This simple vérité film takes viewers on a journey to the backwoods of Southern Georgia. The kids are never far from home and live, like their grandfathers before them, out in the sticks with traditions routed in nature the forefront of their existences.

Meet Lee and Opal, an elderly couple living in the Appalachian Mountains. Recorded over three years, Linefork is an observational film about marriage, community, resilience, and the raw yet delicate music of an unheralded banjo legend, linked to the past yet immediately present.

A documentary that uses the rat to explore the complicated history of Baltimore and how racial segregation, redlining, and environmental racism built the American city we see today.

An immersive, visually stunning portrait of a childhood on the margins of society by Emmy-nominated director Aaron Schock, La Laguna documents the remarkable journey undertaken by a Mayan adolescent as he tries to navigates the changing world around him in the endangered rainforests of southern Mexico.

A rare and thorough look at the earth’s largest salt flat, Bolivia’s Salar de Uyuni, Salero is a poetic journey through the eyes of one of the last remaining salt gatherers. This secluded region is thrust into the future when Bolivia embarks on a plan to extract a precious mineral from the Salar and to build an infrastructure that will connect it to the modern world.

Following his harrowing documentary, It's Always Late for Freedom, director Mehrdad Oskouei continues his exploration of a male juvenile detention facility near Tehran. Last Days of Winter follows these young men in the days leading up to the Iranian New Year, as they take stock of their lives.

Acclaimed filmmaker Mehrdad Oskouei provides a rare glimpse into an all-male juvenile detention facility in Iran. It's Always Late for Freedom is the first film of Oskouei's trilogy documenting troubled youth in Iran, preceding The Last Days of Winter (2011) and Starless Dreams (2016).